Saturday, December 10, 2011
Still Editing.
Monday, November 14, 2011
Southern Fried Sideshow
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Wednesday, October 12, 2011
Monday, October 10, 2011
Update: October 2011
Monday, June 6, 2011
Summer update
~*~Hayley~*~
Tuesday, May 3, 2011
And another call for entry!
INTERNATIONAL CALL FOR ENTRIES | ||
New York, NY | ||
Deadline: Rolling Submission | ||
Posted: 3/10/11 | ||
Title: | The Focus Project : Calling All Photographers | |
Sponsor: | Artists Wanted | |
Awards: | Over $75,000 in prizes and cash awards, a gala reception in New York City and exposure for you and your work, including a Feature in JPG Magazine. Plus, one dozen photographers will be selected to receive $2,500 and a published feature on the JPG blog. | |
Eligibility: | You are invited to participate in The Focus Project, a photography competition seeking the most compelling imagery in the world. Over the course of this project, selected photographers will be featured on our homepage and have a chance at life-changing reward and recognition. | |
Fees: | $10 per image. Submit 8 or more images for $79 (maximum of 20 images) | |
E-mail: | info@focusproject2011.com | |
Website: | http://www.focusproject2011.com/?f=asp2 | |
Prospectus: | http://www.focusproject2011.com/?f=asp2 |
Call for Entries!!!!
Deadline: August 1, 2011
Exhibition Title: Photography 2011: Portraiture
Awards: Exhibition at the LH Horton Jr Gallery and on the Gallery's website. Best of Show: $600, 2nd Place: $400, 3rd Place: $300
Eligibility: Entry is open to all artists residing in the United States. Work made in all photographic processes, both traditional and digital, are accepted for entry. Representational or non-representational images of the human figure. Fine art images should emphasize unique composition, pattern, shape, and color/contrast. Framed photographs may not exceed 42" width and 60" height.
Exhibition Dates: November 17– December 14, 2011
Opening Reception: November 17th, 5-7pm
Juror: Chuck Mobley is San Francisco Camerawork's Associate Director of Exhibitions, Publications and Programs, and editor of SF Camerawork Publications. He has written for Art on Paper; Contemporary; Camerawork: A Journal of Photographic Arts; and Sculpture magazines, as well as SFMOMA's Open Space blog and Berkeley Art Museum's Blook blog, and recently contributed an essay to the monograph Signal Fires: El cine de Jem Cohen (Punto de Vista, 2010). He has curated (and co-curated) numerous exhibitions, including Traces of life on the thin film of longing; There is always a machine between us; Katsushig Nakahashi: The Depth of Memory; Past is an image we form in the present; I feel from Iraq and Afghanistan. He is also a co-founder of Right Window, an artist and curator's project space in San Francisco's Mission District.
Entry Dates: March 1 – August 1, 2011
Selection Announcement: September 1, 2011
Artwork Received at the Gallery: November 4, 2011
Entry Fee: $30 for 3 work entries. An additional 3 work entries may be purchased for $3 per image.
Call for Entries General Guidelines
Eligibility
- Exhibitions are open to all artists residing in the United States.
- Artwork entered for submission must have been executed after December 2008.
- The Gallery reserves the right to reject works from exhibitions that are deemed extraordinarily fragile, unstable, or potentially harmful to the work or the viewer. Works accepted by the juror may also be rejected due to their content, or inability to be properly installed or returned for shipping.
- See each individual exhibition listings for art specific eligibility guidelines.
Accepted Works
- Art must be properly presented and prepared for display. Wall pieces must include all hardware and be ready to hang. Necessary assembly and mounting instructions and materials must be included with accepted works.
- Accepted artwork that differs significantly from the submitted image will be disqualified.
- No accepted entry may be withdrawn prior to the close of the exhibition.
- Upon selection, artists will provide the Gallery with a bio, artist statement and the sale price, title, materials, and dimensions for selected work.
- All accepted work must be available for sale during the show.
- The Gallery reserves the right to photograph and use submitted image of any accepted artwork in all publicity for the current show and future exhibitions, educational and Gallery promotional materials. Artist will be credited, as well as any photo credit for the reproduction of images.
Shipping
- Artists are responsible for all shipping and transit insurance costs to and from the Gallery. The Gallery does not insure works in transit.
- Works MUST be shipped with a prepaid return shipping label. Works without a prepaid return label will not be returned.
- Shipping packaging and artwork must be clearly marked to identify the artist, must be re-usable for the return shipping, and include re-packing and installation instructions as necessary.
Insurance
Every reasonable precaution will be taken with the handling of artwork. All work shown at the LH Horton Jr Gallery will be insured against fire, theft, and other hazards while in the possession of the Gallery, from the time of receipt through the time of setup and exhibition. San Joaquin Delta College and the LH Horton Jr Gallery cannot be held responsible for damage to work during shipping, and therefore insurance will not cover work in transit. Insurance claims will be based on the documented sale price of the artwork.
Sale of Artwork
All accepted works must be for sale during the show. The Gallery is responsible for all sales, and will retain a 20% commission from the sale of artwork.
~*~Hayley~*~
Wednesday, April 27, 2011
Boundaries and After
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Ok, So here are a few photos of Arsenic and Old Lace taken on Monday night. I feel like the reception went very well. Everyone loved the food, the music, and most of all, the art. I can't believe that it is over and one with now. Time to finish the details and get my last bit of everything in order. It is surreal and kinda bittersweet. I have been waiting to graduate, but now that it is here, I'm going to miss my job and my friends. I had an interview yesterday...to work in the mall...I feel like I am taking a step backwards. I need the money, but I don't want to work in the mall again. After I got out of there 4 years ago I vowed to NEVER work there again. Well, I might have a key holding position at Earthbound Trading Company. Also, I feel like I have no drive to get anything done because I have no time. Everyone wants everything by Friday. My thesis, my internship stuff, the photos for Infinite Possibilities 2...It is a bit overwhelming. I also have to work and then go on Friday for my final interview. Too much all at once! But this seems to be the story of my life. Anyone want to help me out, just let me know. lol So I guess this is the last entry for this class...So I hope every one had a great semester and I hope everyone goes out and produces lots of new work, applies to lots of art shows, and and keeps in touch. So, Happy Shooting Everyone!
~*~Hayley~*~
Thursday, April 21, 2011
I love Art Majors and This is Why!
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So first off, thank you to Ferran, Andrea, Kim, and Dontez for staying after class to help me with POSE. It was a blast, and I hope yal had fun too. So while editing these I realized something, I'm going to miss being around legit art majors. I am moving come August to Athens and as mentioned in earlier posts, it feels like the people in Athens are different. They don't seem as crazy fun and they don't seem as "creative". I love that the majors here are willing to do almost anything in the name of art. The majors actually look like artists, while all of the art majors I have seen out there look like sorority and frat people and kinda act like it too. (not my scene). So this project has kinda become bitter sweet. It is a concept I love with people I love, but in the end, this is my last time doing a project with these people... Well, as I see it right now. So these pictures, though they are quite simple, actually mean a great deal to me. Thank you guys again foe participating and what not. I'm off to get them printed and posted and reactions. Happy Shooting.
~*~Hayley~*~
Wednesday, April 20, 2011
Pose in Athens, GA
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~*~Hayley~*~
Furry Friends for Finals and a Peace Rally
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Hey everyone, here are some photos that I did today. Apparently, today is quite the busy day on campus. I was sent to photograph Love Not Litter's "demo" today at the UCC but when I arrived, they were no where to be found. Fortunately, I totally found the adorable dogs with Furry Friends for Finals and got some great photos of them. Towards the end of my being there I did find Love not Litter and they were making jewelry and bags at their booth. After returning to work I am informed of a Peace Rally in front of Humanities. I couldn't resist. I went only to find a few people giving free hugs and some chalk drawings. They were having people that couldn't stay around for the rally trace their hands on the concrete so that they could be there in "spirit". I got lucky and caught a student partaking in this. I also traced my hand. :) Just wanted to share some of my photos from the day with everyone. Hope you guys like them!
~*~Hayley~*~
Tuesday, April 19, 2011
The Warner Brothers and the Warner Sister DOT(Photography)
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~*~Hayley~*~
*PS: If you guys want to see more photos from my senior show, go check out Cristhian Molina's blog entry. And You can check out his Facebook entry. (Like the page while you are there) :)
Wednesday, April 13, 2011
Promos for Mile Train and Arsenic and Old Lace
Tuesday, April 12, 2011
Catching up
Monday, April 4, 2011
"I know I'll make it, love can last forever"
Performers past and present have different classifications for themselves; past performers would be classified by “oddities” or “working acts”, while contemporary performers break off into even smaller groups—sideshow “freaks”, “carnies”, and “circus performers.” Though there are still “oddities” active in contemporary times, most performers would be classified as “working acts” which learn and perfect acts such as juggling, hula hooping, sword swallowing, and fire eating, but within these “working acts” the performers classify themselves further by how extreme their acts are.
The sideshow performers had only two classifications in the past—“oddities” and “working acts.” The oddities were the performers that had physical deformities. Two of the most famous examples of “oddities” would be Joseph Merrick “the Elephant Man” and Stephan Bibrowsky “Lionel.” These men, like most other oddities, were unable to find suitable work due to their abnormalities. Merrick had difficult times moving around and was unfit for salesmanship, like he had once tried, due to his appearance. Bibrowsky was highly intelligent, speaking five different languages, and was considered a perfect gentleman, but due to his appearance, his mother supposedly saw him as an abomination and gave him to the exhibitor “Meyer” at the age of four. Both of these “oddities” had quite lucrative careers, Bibrowsky earning around $500 a week at the peak of his show in the early twentieth. Unlike Merrick, Bibrowsky was able to do some physical activities such as gymnastics, and he did these as part of his performance, but he was not considered a “working act.”
“Working acts” consisted of the performers such as the sword swallowers and the fire eaters/breathers that would do quite dangerous stunts to make up for their lack of physical deformities. Some of the “working acts” would also create their own “deformities” by partaking in body modifications such as full body tattoos. The “working acts” possess skills and talents that can require years of practice to perfect. Some of the more famous of these performers would be Jim Lucky Ball II who earned the title of the youngest sword swallower at age 12 and Melvin Burkhart, the first Human Blockhead. While Lucky Ball II was born to parents that were sword swallowers, Burkhart attempted his blockhead routine after having his nose broken in a boxing fight. “Working acts” allowed physically normal people to step into the role of the “freak.”
The photographic works in “Contemporary Carnie” explore what it means to be a performer, a re-invented carnie—those belonging to a subculture of individuals who possess physical and behavioral abnormalities and generally drives society to ignore, shun, avoid, fear and marginalize. By focusing on the practice space as compared to the performance space, this series is a glimpse into the personal lives and family lives of the carnies as a way to bring a human element to the performers.
Here's hoping for a better day tomorrow in the printing lab.~*~Hayley~*~
While researcing....
~*~Hayley Warner~*~
Friday, April 1, 2011
Printer Color Profiles
~*~Hayley~*~
Thursday, March 31, 2011
Large Format Camera
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~*~Hayley~*~
Tuesday, March 29, 2011
Artist
The Southern Fried Sideshow.
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Here are the photos from The Southern Fried Sideshow. It was amazing. Everyone did an awesome job on stage as well as dancing after the performance. This is just 12 of 559 photos. The audience was fun, the show was fun, the band was great, and the beer was cheap. All in all a good night to be shooting. Next time I hope that everyone can make it out to the show. I think every person needs to experience a sideshow in their lives. It is worth it. Let me know what you guys think about the photos. And about the shirts, I got called last minute yesterday to print them so the band helped out. We were in the print shop until about 11:30 last night printing. Sorry I didn't inform anyone about them. I'm certain I will end up printing again at some point, and I will let yal know. Comment about the photos and give me some feedback. Last shoot for the show is this Wednesday (weather permitting). The Imperial Opa will be practicing on the roof with their band for an up coming show. Too exciting to pass up. Meeting with Dave Collins tonight to discuss my artist statement, printing commences abruptly following that meeting. Busy, busy next few weeks. Happy Shooting.
~*~Hayley~*~